In a career spanning over seven decades, Quincy Jones has earned his reputation as a renaissance man of American music. Since entering the industry as an arranger in the early 1950s, he has distinguished himself as a bandleader, solo artist, sideman, songwriter, producer, film composer, and record label executive.
Red Snapper are notable for a pioneering and evolving synthesis of acoustic and electronic sounds that has drawn from avant-garde jazz, funk, dub, post-punk, and hip-hop.
Eighties soft-toned vocalist Richard "Dimples" Fields topped the R&B charts with the world weary-toned mid-tempo groover If It Ain't One Thing, It's Another with its everyman spoken section.
Jazz bassist Richard Bona was born and raised in the West African nation of Cameroon, going on to session dates with Joe Zawinul, Regina Carter, and Bob James as well as a two-year stint as musical director for the great Harry Belafonte.
One of the acid jazz movement's most prominent guitarists, London-born Ronny Jordan was widely credited with returning the instrument to its rightful place as a major force in modern-day jazz.
The movie Car Wash and the soundtrack were big hits, and they also propelled the Los Angeles-based group, now known as Rose Royce, into national recognition.
Once one of the most visible and winning jazz vibraphonists of the 1960s, then an R&B bandleader in the 1970s and '80s, Roy Ayers' reputation is now that of one of the prophets of acid jazz, a man decades ahead of his time. A tune like 1972's Move to Groove by the Roy Ayers Ubiquity has a crackling backbeat that serves as the prototype for the shuffling hip-hop groove that became, shall we say, ubiquitous on acid jazz records.
With his bold tone, swaggering solos, and deep grasp of the jazz tradition, trumpeter Roy Hargrove emerged as one of the most influential and immediately recognizable jazz musicians of his generation.