Aretha Franklin was one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged.
By mixing house and jazz together in a tall glass of dance-driven downtempo, Martin Iveson's Atjazz project mined the rare experience of listening to laid-back music in the foreground.
Their self-effacing name to the contrary, Average White Band was anything but — one of the few white groups to cross the color line and achieve success and credibility playing funk, with their tight, fiery sound also belying their Scottish heritage, evoking American R&B hotbeds like Detroit, Memphis, and Philadelphia instead.
The duo of Mark Blissenden and Andrew Burdall specialize in earthy breaks and ambient atmospheres, more slanted to the instrumental edge of acid jazz than other producer-based trip-hop acts.
A project by Davide Penta and Pippo Lombardo, respectively bass and piano player of the group Balanço.
Beady Belle is a result of collaboration between Beate S. Lech and Marius Reksjø which began at the University of Oslo.
Neo-soul diva Beverley Knight channeled the sound and spirit of classic R&B to emerge as one of Britain's biggest new pop stars of the '90s.
Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings before he became an accomplished bandleader in his own right.