Primarily a bassist, multi-instrumentalist, and producer, Marcus Miller has worked on hundreds of sessions — crossing jazz, R&B, and rock — and has released several solo recordings since his late-'70s beginnings with Bobbi Humphrey and Lonnie Liston Smith. Despite the many hats he has worn — improviser, interpreter, arranger, songwriter, film-music composer, bassist, clarinetist, saxophonist — none of them have been put on for the sake of a whim.
Gaye's legacy resonated over the decades — he was a touchstone for soul and pop music that was either sensual or political — but his early death leaves hanging the question of what he could've achieved if he were alive. During his two decades as a recording artist, he already accomplished more than most artists do in a lifetime.
The pioneering force behind the rise of trip-hop, Massive Attack were among the most innovative and influential groups of their generation; their hypnotic sound — a darkly sensual and cinematic fusion of hip-hop rhythms, soulful melodies, dub grooves, and choice samples — set the pace for much of the dance music to emerge throughout the 1990s, paving the way for such acclaimed artists as Portishead, Sneaker Pimps, Beth Orton, and Tricky, himself a Massive Attack alumnus.
Often misconstrued as the stage name of lead singer Mark Reilly, England's Matt Bianco are in fact a jazz, Latin, and lounge music-influenced pop outfit.
Born and raised in Baltimore, Maryland, jazz-soul singer/songwriter Maysa Leak embarked on a singing career at an early age. By the age of six, she had already determined that she was going to be a singer, and she spent her elementary and high school days performing in choir and musical theater productions.
The best and most popular French rapper, MC Solaar found success in America among fans of acid jazz and jazz-rap (if not the larger hip-hop community) after guesting on Guru's acclaimed Jazzmatazz project.
A group that effortlessly straddles the gap between avant-garde improvisation and accessible groove-based jazz, Medeski, Martin & Wood have simultaneously earned standing as relentlessly innovative musicians and as an enormously popular act.
Until the arrival of the Sugarcubes, jazz fusion band Mezzoforte was Iceland’s best-known musical export. The group was formed in 1977 at a Reykjavik high school by Fridrik Karlsson (b. 24 April 1960; guitar), Eythór Gunnarsson (b. 9 September 1961; keyboards), Jóhann Ásmundsson (b. 30 March 1961; bass), and Gunnlaugur Briem (b. 8 September 1962; drums).